In a quiet London studio layered with fibers, pigments, and soft shadows, textile artist Clara Pinto is rewriting the rules of wool. She doesn’t knit it. She doesn’t treat it as a seasonal winter fabric. Instead, she paints with it — crafting sculptural, atmospheric surfaces through experimental felting techniques that feel more like contemporary art than traditional fashion.
Her work has captured attention across the industry for one reason: Clara is proving that wool can be visionary, sustainable, and endlessly expressive.
Clara’s creative path began in Buenos Aires, inspired by a family legacy of couture embroidery. After training in textile and fashion design, she moved to London, where she uncovered what would become her signature language: nuno felting, 3D wool structures, and hybrid techniques that blur the line between craft and innovation.
This wasn’t simply design — it was material research. Clara began studying wool at its origin, collaborating with shepherds and fiber specialists to understand fleece quality, texture, and behavior. Her work now spans Patagonian wool, fine Italian merino, and custom blends that she manipulates into ethereal forms.
Every season, Clara reinvents her methods. She rarely repeats a technique.
Her latest obsession? Painting with wool.
Through controlled felting, layering, and pigment infusion, she builds wool panels that look like brushstrokes turned fiber — shifting from soft gradients to dense, sculptural topographies. It’s a slow, meditative process that brings the material to life in a way no machine could replicate.
This is why her garments often feel half-dream, half-landscape: they carry movement, depth, and the unexpected beauty that only hand-made textiles can hold.
Wool is one of the most sustainable materials available — and Clara treats it with the respect it deserves.
Sheep need seasonal shearing to stay healthy, meaning wool production supports animal welfare.
Wool is biodegradable, long-lasting, and naturally odor-resistant.
Depending on how it’s felted or woven, wool can be insulating or breathable, making it a seasonless material.
For Clara, sustainability isn’t a buzzword. It’s a commitment to materials that age gracefully and hold emotional value.
Clara’s innovations have earned her global recognition. She was a resident at the Alexander McQueen Foundation (Sarabande), and her work has been featured in Vogue Italia, 10 Magazine, and multiple London Fashion Week presentations.
Her collections explore themes of nature, softness, transformation, and craft — from bubble-shaped wool skirts to translucent felted coats that look like they were sculpted out of mist.
Her 2025 collaborations, including a dreamy capsule with stylist Eve-Lily, show her ability to merge technical mastery with emotional storytelling.
What makes Clara Pinto so magnetic is not just her technique — it’s her vision.
She isn’t trying to be futuristic.
She’s reviving ancient processes with a modern poetry, proving that wool — a material humanity has used for thousands of years — still has unexplored possibilities.
Her work invites you to slow down, touch, observe, and fall in love with textiles all over again.
Explore Clara Pinto’s universe of experimental wool design:
https://www.clarapinto.com/